Urgent Publishing Session 1: Janneke Adema & Gary Hall
video15-17 May 2019, the Institute of Network Cultures, ArtEZ University of the Arts and Willem de Kooning Academy organized Urgent Publishing, a 3-day event with discussions, explorations and experiments about publishing strategies in post-truth times.
memes as means - federated publishing - post-humanist writing - critical design - #synchronicityofparasites
While digital publishing technologies have helped bring different voices onto the stage, they also instigated the ‘post-truth’ era, leaving a disenchanted public behind to scavenge the rubble of breaking fake news stories, information pollution and broken links.
How can designers, developers, artists, writers and publishers intervene in the public debate and counter misinformation in a meaningful and relevant way? What are new publishing strategies for our current media landscape? How to design for urgency without succumbing to an accelerated hype cycle?
SESSION 1: THE CARRIER BAG THEORY OF NON-FICTION
The Carrier Bag Theory of Non-Fiction by Janneke Adema & Gary Hall.
This plural-voiced presentation will focus on what publishing does rather than what publishing is. It will intervene in the debate over publishing in the post-truth era by shifting the focus away from a hegemonic modular and object-centered understanding, toward a more relational model of posthumanities publishing. Here research, reading, writing, and the published text are understood as emerging from the intra-actions of a heterogeneous constellation of both human and nonhuman actors, many of which are ignored by existing theories of media. Drawing boundaries – whether it involves conceptualizing information containers via the figure of the net, leaf or carrier bag – is unavoidable from such a posthumanistic perspective. Yet for us, it is a matter of drawing these boundaries differently, in a manner that does not impose on such relational intra-actions a version of capitalism’s old, closed, pre-digital logic.
This presentation will discuss posthumanities publishing experiments that have emphasized different forms of relationality – forms that do not revolve primarily around the published text-as-object, or indeed the individual human author-as-subject. In discussing these publishing experiments it will show how strategizing publishing in terms of urgent and non-urgent, fast and slow can be unhelpful: the art of critique requires its own pace.
More information about the Urgent Publishing conference: https://networkcultures.org/makingpublic/urgent-publishing-publication/
memes as means - federated publishing - post-humanist writing - critical design - #synchronicityofparasites
While digital publishing technologies have helped bring different voices onto the stage, they also instigated the ‘post-truth’ era, leaving a disenchanted public behind to scavenge the rubble of breaking fake news stories, information pollution and broken links.
How can designers, developers, artists, writers and publishers intervene in the public debate and counter misinformation in a meaningful and relevant way? What are new publishing strategies for our current media landscape? How to design for urgency without succumbing to an accelerated hype cycle?
SESSION 1: THE CARRIER BAG THEORY OF NON-FICTION
The Carrier Bag Theory of Non-Fiction by Janneke Adema & Gary Hall.
This plural-voiced presentation will focus on what publishing does rather than what publishing is. It will intervene in the debate over publishing in the post-truth era by shifting the focus away from a hegemonic modular and object-centered understanding, toward a more relational model of posthumanities publishing. Here research, reading, writing, and the published text are understood as emerging from the intra-actions of a heterogeneous constellation of both human and nonhuman actors, many of which are ignored by existing theories of media. Drawing boundaries – whether it involves conceptualizing information containers via the figure of the net, leaf or carrier bag – is unavoidable from such a posthumanistic perspective. Yet for us, it is a matter of drawing these boundaries differently, in a manner that does not impose on such relational intra-actions a version of capitalism’s old, closed, pre-digital logic.
This presentation will discuss posthumanities publishing experiments that have emphasized different forms of relationality – forms that do not revolve primarily around the published text-as-object, or indeed the individual human author-as-subject. In discussing these publishing experiments it will show how strategizing publishing in terms of urgent and non-urgent, fast and slow can be unhelpful: the art of critique requires its own pace.
More information about the Urgent Publishing conference: https://networkcultures.org/makingpublic/urgent-publishing-publication/
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